Nicholas Croggon & Helen Hughes Editorial

    Amelia Barikin  Time Shrines Melancholia and Mourning in the Work of Ash Keating

    Francis Plagne  Matt Hinkley and the Embedded Mark

    Helen Hughes  Aestheticising Architecture / Architecturalising Aesthetics: Callum Morton and Bianca Hester

    David Homewood  RR / SK: Public Exhibition

    James Parker  Retromania and the Atemporality of Contemporary Pop

    Timothy Morton  Yukultji Napangati: Occupying Dreaming

    Helen Johnson  A Moment An Immeasurable Whole (on Mira Gojak)

    Emanuele Coccia (trans. by Connal Parsley)  End of Love

    Steve Salisbury  Kimberley Dinosaur Tracks

    Kate Warren  Unstable Realities in Omer Fast’s Five Thousand Feet Is The Best

    Adrian Martin  Price Tag

    Vivian Ziherl  Recommended Reading: LIP Magazine (1976-1984)

    Sarinah Masukor  All The News That’s Fit To Sing: Vernon Ah Kee’s Tall Man

    Tim Alves  The Telling Moment Revisited: Vernon Ah Kee’s Tall Man

    Nikos Papastergiadis  Can There Be a History of Contemporary Art?



    Maria Fusco  Editorial: The Human Word is Midway Between the Muteness of Animals and the Silence of God

    Nikolaus Gansterer & Moira Roth  The Hand & The Creature

    John Berger  Why Look At Animals?

    Yve Lomax  A Philosopher, A Cat, A Monkey and Nudity

    John Bevis  Mnemonics for Bird Songs and Calls

    Nikolaus Gansterer & Moira Roth  The Hand, The Creatures & The Singing Garden


    A Constructed World

    Elizabeth Newman

    Sandra Selig

    Kate Meakin


    Christopher LG Hill

    Paul Knight

    S.T. Lore

    Janet Burchill


    Annie Wu & Ziga Testen



Autumn, 2012

Editors: Nicholas Croggon and Helen Hughes

Guest Editor: Maria Fusco

Design: Annie Wu and Ziga Testen

Printing: Printgraphics, Victoria

176 pages

30 x 23 cm

perfect bound


1000 copies